Saturday, March 17 , 2018, 3:44 am | Fair 44º


Noozhawk Talks: Leslie Dinaberg Sits Down with Erika Carter

The owner of Studio 3 East gallery discusses the finer points of living an artful life.

Downtown Santa Barbara’s 1st Thursday events have grown into a popular hive of art, music and wine, and few spots are buzzing like Erika Carter’s Studio 3 East gallery, at 3 E. De la Guerra St. above Starbucks. Carter, a Santa Barbara native, talks with Leslie Dinaberg about living an artful life.

Having invested her life in art, Erika Carter says art is a worthy financial investment.
Having invested her life in art, Erika Carter says art is a worthy financial investment. (Carter family photo)
LD: What are you working on now?

EC: It’s a holiday show. It will be the third annual show for Donna Asycough and myself … This one is “Arbol de Vida,” which is the “Tree of Life.” … The paintings I do are all retablos; those are the little tin devotional paintings, folk art. …This year I’ll be doing 100 of them.

LD: Wow.

EC: Yeah, I know. It’s a lot of work. Donna and I are both just very passionate about Mexico. We can’t get enough of it.

LD: How do you psych up to do 100 paintings?

EC: It’s insane. I get all the tins out. I prep them all at the same time. Most of them are collage transfers, so I take photographs, transfer them, and do some things. … This is all collage, this is all photo transfer, and then I paint on it, too, so it’s a mixture. I’ll go and I’ll photograph like crazy, and then I’ll come back and start looking at my images, start laying them out, and then I get to a point where they all get started. They’ll all be to a point where there will be 100 of them sitting there and I’ll start cranking and it will be 10-hour days.

LD: Do you primarily paint here in the studio?

EC: This is it, so it will be a mess in November. It’s very sad for the artist (Melissa Gill) showing here this month.

LD: There’s something kind of cool about that because most gallery space isn’t studio space.

EC: No. This was originally a studio space, that’s all it was, and for me to survive and have a studio space, which of course wasn’t as big as it is now, was to start doing shows to help pay the rent, which has been really great. I would do a show, have a few friends and hang some artwork for the weekend. Then people started hearing about the gallery space and it grew, and now I’m booked through 2009.

LD: Wow. That’s awesome.

EC: Well, it’s awesome and it’s not awesome because it’s a lot of responsibility for the next year. It’s a little scary because of economic times. … We break even. No one is getting rich up here; it just pays for itself. When I have my shows I make money. I’m lucky because my stuff sells, but that’s when I make money because I keep my 50 percent. So I try to do two or three shows a year and that kind of pays me, then the rest of the year the shows that we have up pay for the space, and sometimes it does pay more.

LD: Do you also do events? It’s such a cool space.

EC: Yes, we’ve done lots of private birthday parties here and stuff like that, so that’s great. On 1st Thursdays, we have a liquor license, too, so we sell lots of wine — that helps.

LD: So have 1st Thursdays helped your business?

EC: Yes. I think it’s great exposure. It’s definitely daunting at times because you know how fast three weeks goes by. I’ve got to take down a show, put up a show, it’s really hectic. It gets really crazy. And I just signed up for another year of it.

LD: So you’re obligated to be open.

EC: Yes. We’re open Tuesday through Saturday noon to 5 p.m., and obligated just to the artists who have shows here. They’re all painting right now for their upcoming shows. It’s kind of a scary time. It’s like wow, I hope we sell something.

LD: Maybe people should stop investing in the stock market and buy art.

EC: Well, it’s funny. I was just talking to somebody about that. … It is where people should invest. I mean, it’s a good investment compared to the stock market.

LD: The pieces are one of a kind.

EC: Yeah, exactly. It exists, it is what it is, and it usually almost always holds its value. And you’re enhancing your living space, or your attic. Whatever.

… (Running the gallery) it’s been great, what I’ve learned is invaluable. Every aspect, working with groups of artists, getting to know all of the artists in Santa Barbara, being part of that. That’s a hard thing to break into.

LD: But you’ve been an artist in Santa Barbara for a really long time.

EC: I have. But it’s really easy for me to just close my doors and sit in front of my canvas and not talk to anybody for weeks. Even though I’ve been painting here forever and ever, it’s very easy to get locked into your own little world and talk to maybe two artists. You know of all the other artists, but you’re not really communicating. It’s much different when you actually have created a space and now you can actually show their work. They just come to you and it’s been great. I mean, the art I’ve seen and the people, it’s all been really great.

LD: Before this, did you have a studio somewhere else?

EC: No. I’ve been here almost 20 years. … When I moved in here this was Lower State Street. Paseo Nuevo did not exist. When I moved in here everything was shut down around us, everything was boarded up, my rent was $250 and it was that little teeny room over there. … Nicole Strasburg was in the unit over there and Liz Brady was here, too. She had my little space and some tattoo artist had been there. When I moved in the room was tattooed, the ceilings and beer cans, it was so hideous.

LD: It’s totally cool now and has a very different feel from most galleries.

EC: That was kind of the point, too. I don’t like walking into galleries. I never have. I’ve always felt that they’re too reserved; it’s just a little too snooty or elitist. I don’t have that problem now, but when I was much younger I just felt really intimidated. For a long time I just used to show in coffee shops, which is still great. I still encourage people to do that. Just hang your art wherever you can in this town.

LD: Have you always wanted to be an artist?

EC: No. Isn’t that funny? I never thought I was talented enough to be an artist. I don’t even really call myself that now. It’s kind of a stretch. It’s not a stretch because that’s what people need to title you something, but it’s definitely something you’ree always trying to achieve. You’re hopefully always getting better and getting more secure with your work. Some paintings you make and you’re like, wow, I did that. I can’t believe I did that, it’s amazing, and then other stuff you can spend two weeks on something and go, “I can’t paint. What was I thinking?”

Vital Stats: Erika Carter

Born: Santa Barbara (St. Francis Medical Center) on Oct. 25, 1962

Family: Husband Dr. David Dart; son Carter, 20; five adult stepchildren and their six children

Civic Involvement: “I look at it as my civic duty that I am showing local artists and allowing them to either start their careers or continue them.”

Professional Accomplishments: Artist, owner of Studio 3 East gallery

Little-Known Fact: “I’m not high energy at all (laughs). A lot of people think that I am. They think that I’ve just got tons of energy, and I don’t. I fight for my energy, definitely. I love a good nap in the middle of the day.”

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