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BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250613T190000
DTEND;TZID=America/Los_Angeles:20250613T193000
DTSTAMP:20260413T022039
CREATED:20250529T220153Z
LAST-MODIFIED:20250529T220153Z
UID:10023947-1749841200-1749843000@www.noozhawk.com
SUMMARY:GreenScreen 2025 Student Film Premiere
DESCRIPTION:Join us for the premiere of the 2025 GreenScreen student environmental films! This exciting evening will showcase four student-produced films\, focused on eco-consciousness. Details on all four films will be announced soon!\n\n\nGreenScreen is a hands-on\, project-based environmental media production program where students work in teams to leverage their collective production skills and environmental knowledge. The goal of the program is not only to increase awareness about the environment\, but to expand the ways that these issues are represented and communicated. For more information about GreenScreen\, visit this page: https://www.carseywolf.ucsb.edu/courses/green-screen/\n\n\nThis event will be followed by a reception in the Michael Douglas Lobby.
URL:https://www.noozhawk.com/calendar-old/greenscreen-2025-student-film-premiere/
LOCATION:UCSB Pollock Theater\, CA\, United States
ATTACH;FMTTYPE=image/png:https://www.noozhawk.com/wp-content/uploads/2025/05/crew_water.png
ORGANIZER;CN="Carsey-Wolf Center":MAILTO:carseywolf-center@ucsb.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250603T190000
DTEND;TZID=America/Los_Angeles:20250603T213000
DTSTAMP:20260413T022039
CREATED:20250422T221646Z
LAST-MODIFIED:20250422T221646Z
UID:10023667-1748977200-1748986200@www.noozhawk.com
SUMMARY:Panic!: I Saw the TV Glow
DESCRIPTION:Jane Schoenbrun’s coming-of-age horror film I Saw the TV Glow (2024) follows Owen (Justice Smith)\, a withdrawn teenager who finds solace in the late-night supernatural television show The Pink Opaque\, introduced to him by his rebellious classmate Maddy (Jack Haven). As their obsession with the series deepens\, Owen begins to question the nature of his own reality\, uncovering unsettling truths about himself and the world around him. When Maddy leaves town\, Owen finds himself unable to follow\, retreating further into his suburban isolation\, where the flickering glow of television becomes both a refuge and a haunting reminder of the life he feels slipping away. Blurring the boundaries between fiction and self-perception\, the film reflects the anxieties of growing up in a world that enforces rigid definitions of gender norms. In doing so\, it taps into the broader societal panic over transgender identity\, capturing the fear of living in a world that demands conformity at the cost of one’s true self.\n\n\nMusician Haley Dahl (Sloppy Jane) will join moderator Alice Fulmer (English\, UCSB) for a post-screening discussion of I Saw the TV Glow and her appearance in the film and soundtrack. A reception with light refreshments will follow in the Michael Douglas lobby.
URL:https://www.noozhawk.com/calendar-old/panic-i-saw-the-tv-glow/
LOCATION:UCSB Pollock Theater\, CA\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.noozhawk.com/wp-content/uploads/2025/04/I_Saw_the_TV_Glow_Hero.jpg
ORGANIZER;CN="Carsey-Wolf Center":MAILTO:carseywolf-center@ucsb.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250529T190000
DTEND;TZID=America/Los_Angeles:20250529T213000
DTSTAMP:20260413T022039
CREATED:20250408T221032Z
LAST-MODIFIED:20250408T221032Z
UID:10018819-1748545200-1748554200@www.noozhawk.com
SUMMARY:Panic!: Shut Up & Sing
DESCRIPTION:In the early 2000s\, the Dixie Chicks (now The Chicks) reached new career heights\, topping the country music charts\, winning multiple Grammy Awards\, and smashing commercial records left and right. However\, during their 2003 Top of the World Tour\, a single political remark by lead vocalist Natalie Maines denouncing the war in Iraq and then-President George W. Bush sparked fierce backlash from conservative groups. The fallout was swift and severe: the group was blacklisted by the country music industry\, faced death threats\, and saw their songs disappear from radio airwaves and the Billboard charts\, sparking a larger national debate over free speech and political expression. Shut Up & Sing (2006)\, directed by Barbara Kopple and Cecilia Peck\, captures this firestorm of political and cultural panic. The documentary follows the band over three turbulent years of public outrage and scrutiny\, all fueled by a wave of reactionary nationalism at the height of the Bush administration. Through remarkable behind-the-scenes footage and candid interviews\, the film offers a vital portrait of artists who refused to be silenced in the wake of widespread political panic.\n\n\nDirectors Barbara Kopple and Cecilia Peck will join moderator Chelsea Kai Roesch (Film and Media Studies\, UCSB) for a post-screening discussion of Shut Up & Sing.
URL:https://www.noozhawk.com/calendar-old/panic-shut-up-sing/
LOCATION:UCSB Pollock Theater\, CA\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.noozhawk.com/wp-content/uploads/2025/04/Shut_Up_and_Sing_Hero.jpg
ORGANIZER;CN="Carsey-Wolf Center":MAILTO:carseywolf-center@ucsb.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250520T190000
DTEND;TZID=America/Los_Angeles:20250520T220000
DTSTAMP:20260413T022039
CREATED:20250422T215412Z
LAST-MODIFIED:20250422T215412Z
UID:10023666-1747767600-1747778400@www.noozhawk.com
SUMMARY:Panic!: Social Studies
DESCRIPTION:From Emmy Award-winning filmmaker/photographer Lauren Greenfield\, Social Studies is a character-driven documentary series that delves into the lives of the first generation raised on social media. Filmed in Los Angeles over the course of a school year\, this groundbreaking social experiment features a diverse group of teenagers who open up their lives and phones to offer an intimate glimpse into how social media has reshaped childhood. From battling bullying and grappling with beauty standards\, to coping with racism and exploring sexuality\, their compelling and relatable experiences take us on a visceral journey through the challenges of growing up in the digital age. As these teens navigate a world where every moment can be posted and scrutinized online\, the series explores how the pressures of our digital lives blur the boundaries between authenticity and performance\, fueling broader cultural anxieties about the future of a generation.\n\n\nFollowing a screening of the first two episodes of Social Studies\, director Lauren Greenfield and documentary participant Jonathan Gelfond will join moderator Miguel Penabella (Carsey-Wolf Center\, UCSB) for a post-screening discussion.
URL:https://www.noozhawk.com/calendar-old/panic-social-studies/
LOCATION:UCSB Pollock Theater\, CA\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.noozhawk.com/wp-content/uploads/2025/04/social_studies_hero.jpg
ORGANIZER;CN="Carsey-Wolf Center":MAILTO:carseywolf-center@ucsb.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250517T140000
DTEND;TZID=America/Los_Angeles:20250517T163000
DTSTAMP:20260413T022039
CREATED:20250313T190807Z
LAST-MODIFIED:20250313T190807Z
UID:10018524-1747490400-1747499400@www.noozhawk.com
SUMMARY:Panic!: The Miracle of Morgan’s Creek
DESCRIPTION:Preston Sturges’ The Miracle of Morgan’s Creek (1944) is a fast-paced screwball comedy that satirizes wartime America with madcap energy. The film follows Trudy Kockenlocker (Betty Hutton)\, a wayward young woman who attends a raucous all-night farewell party for departing soldiers in her small town. The next day\, Trudy awakens to find herself married and pregnant\, with no memory of her new suitor’s identity. As she scrambles to untangle the mess\, the well-meaning but hapless Norval Jones (Eddie Bracken) offers to help\, leading to a series of increasingly absurd complications. In its portrayal of scandalous small-town panic\, the film both provoked the Hays Code and rankled the United States War Department. Sturges transforms anxieties surrounding marriage and patriotic duty into a whirlwind of comedic chaos\, exposing the absurdity of rigid societal expectations. A daring and subversive take on small-town mores\, the film remains one of Sturges’ most sharply satirical comedies.\n\n\nCharles Wolfe (Film and Media Studies\, UCSB) will join Patrice Petro (Dick Wolf Director of the Carsey-Wolf Center) for a post-screening discussion of The Miracle of Morgan’s Creek.
URL:https://www.noozhawk.com/calendar-old/panic-the-miracle-of-morgans-creek/
LOCATION:UCSB Pollock Theater\, CA\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.noozhawk.com/wp-content/uploads/2025/03/miracle-of-morgans-creek-hero.jpg
ORGANIZER;CN="Carsey-Wolf Center":MAILTO:carseywolf-center@ucsb.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250513T190000
DTEND;TZID=America/Los_Angeles:20250513T203000
DTSTAMP:20260413T022039
CREATED:20250313T185843Z
LAST-MODIFIED:20250313T185843Z
UID:10018523-1747162800-1747168200@www.noozhawk.com
SUMMARY:CWC Docs: Wonders of the Wolf
DESCRIPTION:Wonders of the Wolf is a documentary about one of the most successful conservation efforts in modern history: the Yellowstone Wolf Project. From their historic recovery in 1995 to today’s current wolf packs\, biologists share stories about the wolves they observe daily in the park. Using innovative technology in bioacoustics\, biologists are learning how wolves communicate and applying it toward solutions in human/wildlife conflicts.\n\n\nFilmmaker Angie Ruiz will join moderator Sarah Anderson (Bren School\, UCSB) for a post-screening discussion of Wonders of the Wolf and the Yellowstone Wolf Project. A reception will follow in the Michael Douglas lobby.
URL:https://www.noozhawk.com/calendar-old/cwc-docs-wonders-of-the-wolf/
LOCATION:UCSB Pollock Theater\, CA\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.noozhawk.com/wp-content/uploads/2025/03/Wonders_of_the_Wolf_Hero.jpeg
ORGANIZER;CN="Carsey-Wolf Center":MAILTO:carseywolf-center@ucsb.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250508T190000
DTEND;TZID=America/Los_Angeles:20250508T213000
DTSTAMP:20260413T022039
CREATED:20250313T185030Z
LAST-MODIFIED:20250313T185030Z
UID:10018522-1746730800-1746739800@www.noozhawk.com
SUMMARY:CWC Docs: Sugarcane
DESCRIPTION:A stunning tribute to the resilience of Native people and their way of life\, the Academy Award-nominated Sugarcane is an epic cinematic portrait of a community during a moment of international reckoning. In 2021\, evidence of unmarked graves was discovered near an Indian residential school in Canada\, sparking a national outcry about the forced separation\, assimilation\, and abuse that children experienced at the hands of the Church and government. When journalist and filmmaker Emily Kassie asked her old friend and colleague Julian Brave NoiseCat to direct a film documenting the Williams Lake First Nation investigation of St. Joseph’s Mission\, she never imagined how close this story was to his own family. Even as it peers into the legacies of abuse and death at an Indian residential school\, Sugarcane empowers participants to break cycles of intergenerational trauma by bearing witness to painful\, long-ignored truths\, and the love that endures within their families.\n\n\nFollowing the screening\, Caitlin Keliiaa (author of Refusing Settler Domesticity: Native Women’s Labor and Resistance in the Bay Area Outing Program) will join moderator Alex Lilburn (Film and Media Studies\, UCSB) for a discussion about Sugarcane and the legacy of the boarding school system.
URL:https://www.noozhawk.com/calendar-old/cwc-docs-sugarcane/
LOCATION:UCSB Pollock Theater\, CA\, United States
ATTACH;FMTTYPE=image/png:https://www.noozhawk.com/wp-content/uploads/2025/03/Sugarcane_Hero.png
ORGANIZER;CN="Carsey-Wolf Center":MAILTO:carseywolf-center@ucsb.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250506T190000
DTEND;TZID=America/Los_Angeles:20250506T213000
DTSTAMP:20260413T022039
CREATED:20250408T215416Z
LAST-MODIFIED:20250408T215416Z
UID:10018818-1746558000-1746567000@www.noozhawk.com
SUMMARY:CWC Docs: Sisters with Transistors
DESCRIPTION:Sisters with Transistors tells the remarkable untold story of the pioneering women who shaped electronic music\, crafting the sounds and technologies that define the genre today. Narrated by Laurie Anderson\, the film delves into the lives and work of trailblazing composers such as Clara Rockmore\, Delia Derbyshire\, Pauline Oliveros\, Wendy Carlos\, Laurie Spiegel\, and Suzanne Ciani\, among others\, whose experiments with early synthesizers\, tape manipulation\, and unconventional soundscapes pushed the boundaries of musical composition. Through a wealth of archival footage\, interviews\, and rare recordings\, the documentary showcases their groundbreaking innovations and critically examines the cultural and institutional barriers that often obscured their legacies within a male-dominated field. The film charts the evolution of electronic music and how its female pioneers embraced these new devices\, opening music to an entire field of sound and transforming the very terms of musical thought.\n\n\nMusician/documentary subject Suzanne Ciani will join moderator David Novak (Music\, UCSB) for a post-screening discussion of Sisters with Transistors.
URL:https://www.noozhawk.com/calendar-old/cwc-docs-sisters-with-transistors/
LOCATION:UCSB Pollock Theater\, CA\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.noozhawk.com/wp-content/uploads/2025/04/Sisters_with_Transistors_Hero-scaled.jpg
ORGANIZER;CN="Carsey-Wolf Center":MAILTO:carseywolf-center@ucsb.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250429T190000
DTEND;TZID=America/Los_Angeles:20250429T213000
DTSTAMP:20260413T022039
CREATED:20250313T183251Z
LAST-MODIFIED:20250313T183251Z
UID:10018521-1745953200-1745962200@www.noozhawk.com
SUMMARY:Panic!: Swoon (in 35mm)
DESCRIPTION:Tom Kalin’s Swoon (1992) is a bold reimagining of the infamous 1924 Leopold and Loeb murder case\, in which two wealthy\, highly intelligent young men from Chicago plotted and carried out the murder of a fourteen-year-old boy in an attempt to commit the “perfect crime.” Unlike traditional crime narratives\, the film focuses less on the procedural details and instead explores the intense\, manipulative relationship between Nathan Leopold and Richard Loeb\, framing their actions through the lens of queer desire\, social class\, and societal repression. Shot in stark black-and-white\, Swoon blends historical reconstruction with unconventional stylization and challenges traditional depictions of the case\, exposing the ways in which Leopold and Loeb’s homosexuality was sensationalized and vilified in the media and courtroom. As part of the New Queer Cinema movement\, the film critiques the historical tendency to conflate queerness with deviance\, suggesting how moral anxieties around sexuality shaped public perception and legal discourse in the wake of one of America’s most notorious crimes.\n\n\nThe Carsey-Wolf Center is proud to present Swoon in 35mm film projection. After the screening\, writer/director Tom Kalin will join moderator Bhaskar Sarkar (Film and Media Studies\, UCSB) for a discussion of Swoon and its legacy.
URL:https://www.noozhawk.com/calendar-old/panic-swoon-in-35mm/
LOCATION:UCSB Pollock Theater\, CA\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.noozhawk.com/wp-content/uploads/2025/03/Swoon_Hero-scaled.jpg
ORGANIZER;CN="Carsey-Wolf Center":MAILTO:carseywolf-center@ucsb.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250422T190000
DTEND;TZID=America/Los_Angeles:20250422T210000
DTSTAMP:20260413T022039
CREATED:20250408T214628Z
LAST-MODIFIED:20250408T214628Z
UID:10018817-1745348400-1745355600@www.noozhawk.com
SUMMARY:CWC Docs: Facing the Falls
DESCRIPTION:Facing the Falls tells the story of international disability rights advocate Cara Elizabeth Yar Khan. Deep in the throes of an aggressive\, fatal muscle-wasting disease and no longer able to walk unassisted\, Cara ventures out on a daring\, twelve-day expedition through the Grand Canyon. Cara’s journey to live an extraordinary life and shatter stigmas about people living with disabilities unexpectedly becomes a deep dive into fear\, trust\, and vulnerability. As the entire expedition team grapples with unanticipated dangers in a truly remote wilderness\, they also come face to face with their individual demons\, insecurities\, and internal conflicts.\n\n\nProducer Liz Yale Marsh and film participant/mustang wrangler West Taylor will join moderator and co-producer Wendy Eley Jackson (Film and Media Studies\, UCSB) for a post-screening discussion of Facing the Falls.
URL:https://www.noozhawk.com/calendar-old/cwc-docs-facing-the-falls/
LOCATION:UCSB Pollock Theater\, CA\, United States
ATTACH;FMTTYPE=image/png:https://www.noozhawk.com/wp-content/uploads/2025/04/Facing_the_Falls_Hero.png
ORGANIZER;CN="Carsey-Wolf Center":MAILTO:carseywolf-center@ucsb.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250419T140000
DTEND;TZID=America/Los_Angeles:20250419T163000
DTSTAMP:20260413T022039
CREATED:20250313T183008Z
LAST-MODIFIED:20250313T183008Z
UID:10018520-1745071200-1745080200@www.noozhawk.com
SUMMARY:CWC Global: Akira Kurosawa’s Dreams
DESCRIPTION:Akira Kurosawa’s Dreams (1990) brings to life eight dreamlike vignettes inspired by the director’s own nighttime visions in this deeply personal and visually striking anthology film. Blending imagination with Japanese folklore\, each segment explores themes of memory\, nature\, mortality\, war\, and the human experience: a young boy encounters a secret wedding of foxes in a forest; a soldier confronts the ghosts of his fallen comrades; an aging artist steps into the sumptuously realized world of Vincent Van Gogh\, played by director Martin Scorsese; a small group witnesses an apocalyptic scene of a world ravaged by nuclear disaster. A late-career masterpiece from one of cinema’s most celebrated filmmakers\, Dreams is a meditative reflection on life\, spirituality\, and humanity’s connection to the natural world.\n\n\nThis event is presented in conjunction with the UCSB Reads program. The program’s 2025 selection is The Book of Delights: Essays by Ross Gay.\n\n\nThis screening will be accompanied by a critical and historical introduction by Carsey-Wolf Center Assistant Director Miguel Penabella\, including a brief discussion of the film’s connection to the key themes and ideas in The Book of Delights.
URL:https://www.noozhawk.com/calendar-old/cwc-global-akira-kurosawas-dreams/
LOCATION:UCSB Pollock Theater\, CA\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.noozhawk.com/wp-content/uploads/2025/03/AkiraKurosawasDreams_Hero.jpg
ORGANIZER;CN="Carsey-Wolf Center":MAILTO:carseywolf-center@ucsb.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250417T190000
DTEND;TZID=America/Los_Angeles:20250417T214500
DTSTAMP:20260413T022039
CREATED:20250313T234336Z
LAST-MODIFIED:20250313T234336Z
UID:10018526-1744916400-1744926300@www.noozhawk.com
SUMMARY:CWC Global: Captain Volkonogov Escaped
DESCRIPTION:The fast-paced parable Captain Volkonogov Escaped (2021) is set in a city that resembles Leningrad in 1938\, during a tense period of political persecutions and mass fear. Captain of the Department of Internal Affairs Fedor Volkonogov (Academy Award nominee Yura Borisov) specializes in forcefully obtaining self-incriminating evidence from persons under investigation. When the moment comes for the repressive system to turn the eye on its own soldiers\, Volkonogov’s direct supervisor commits suicide. Fedor foresees his own arrest and flees\, hunted by his former comrades. Perturbed by a warning from the afterlife that he is destined for eternal torment\, he embarks on a desperate journey for redemption\, haunted by the ghosts of those he once condemned.\n\n\nFilmmakers Alexey Chupov and Natasha Merkulova will join moderator Sasha Razor (Film and Media Studies\, UCSB) for a post-screening discussion of Captain Volkonogov Escaped.
URL:https://www.noozhawk.com/calendar-old/cwc-global-captain-volkonogov-escaped/
LOCATION:UCSB Pollock Theater\, CA\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.noozhawk.com/wp-content/uploads/2025/03/Volkonogov-hero.jpg
ORGANIZER;CN="Carsey-Wolf Center":MAILTO:carseywolf-center@ucsb.edu
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Los_Angeles:20250412T140000
DTEND;TZID=America/Los_Angeles:20250412T163000
DTSTAMP:20260413T022039
CREATED:20250311T190007Z
LAST-MODIFIED:20250311T190007Z
UID:10018504-1744466400-1744475400@www.noozhawk.com
SUMMARY:CWC Global: Japanese Paper Films
DESCRIPTION:In the 1930s\, several Japanese companies produced films made on paper (called kami firumu\, 紙フィルム) instead of celluloid. Given the short period of production\, the varying paper quality\, and the devastation of WWII\, very few paper film prints survive. Those that remain are too fragile to play on their original projectors\, and most have not been seen in over 85 years. The Japanese Paper Film Project\, which began at Bucknell University in 2019\, is dedicated to preserving the surviving films. To do so\, the project has gathered faculty and students to create a custom digital film scanner and bespoke software for reanimating the films. In 2023 and 2024\, project members traveled to Japan and worked with museums\, collectors\, and film archives in Tokyo\, Kyoto\, Osaka\, and Kobe to scan about 200 surviving film prints.\n\n\nFor this special screening\, we present a curated collection of digitized Japanese paper films in a wide range of genres: live action documentary\, abridged versions of live action Japanese and international feature films\, and lots of anime. These animated films give us a peek into the origins of contemporary anime with films that celebrate samurais\, rōnin\, and ninjas\, as well as fairytales about Shinto gods and mythological creatures. The program includes both silent and sound paper films\, with each film running between 1 and 4 minutes. For those films without a soundtrack\, Duo Yumeno (made up of koto player Yoko Reikano Kimura and cellist Hikaru Tamaki) will provide live musical accompaniment that blends traditional Japanese music with Western classical influences.\n\n\nThe program will begin with a brief introduction by curator and project lead Eric Faden (Film/Media Studies\, Bucknell University). Following the screening\, Faden\, Kimura\, and Tamaki will join moderator Alex Lilburn (Film and Media Studies\, UCSB) onstage for a discussion about the Japanese Paper Film Project.\n\n\nPhoto: Collection of Paper Films at Kyoto’s Toy Film Museum.
URL:https://www.noozhawk.com/calendar-old/cwc-global-japanese-paper-films/
LOCATION:UCSB Pollock Theater\, CA\, United States
ATTACH;FMTTYPE=image/jpeg:https://www.noozhawk.com/wp-content/uploads/2025/03/Japanese_Paper_Films_Hero-scaled.jpg
ORGANIZER;CN="Carsey-Wolf Center":MAILTO:carseywolf-center@ucsb.edu
END:VEVENT
END:VCALENDAR